Strings first showed up in Barbara Hepworth’s (1903–1975) practice in 1939—and remained threaded throughout her practice. To the British sculptor, they served her perceptual aims, allowing dramatic ...
Barbara Hepworth, “Pelagos” (1946), Sculpture Elm and strings on oak, 430 x 460 x 385 mm (Tate © Bowness) Barbara Hepworth in the Palais de la Danse studio, St ...
The U.K. has successfully raised £3.8 million ($5.1 million) to save Barbara Hepworth’s (1903–1975) Sculpture with Colour (Oval Form) Pale Blue and Red for the nation. Created by one of Britain’s most ...
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more. ALEX REID & LEFEVRE GALLERY, London. ...
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‘Art History Is Made Through What Is Visible’: Inside The Fight To Save A Barbara Hepworth Sculpture
In November 2024, the British government placed an export bar on a sculpture crafted by the late Dame Barbara Hepworth in St Ives during the 1940s. Titled Colour (Oval Form) Pale Blue and Red, the ...
Michael White is a co-convener of the AHRC-funded Hepworth Research Network, working with The Hepworth Wakefield and the University of Huddersfield to bring together art historians, artists, ...
HMSG copy purchased from the Arts Libraries Endowment. Barbara Hepworth: The Sculptor in the Studio' is the first study devoted to Hepworth's St Ives studio in which the centrality of Trewyn Studio ...
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