In 1996, when Trainspotting was released, it was provocative, but as a then 13 year old I didn’t see it right away. It was in the early 2000s when I became aware enough to contextualize and curate my ...

“I wanted this to be something very different from either the film or the two versions of the stage play. “So there are some new characters in there, and to be honest it’s quite a lot darker than the ...

Danny Boyle is directing the sequel to the film that cemented his career back in 1996. By Borys Kit Senior Film Writer Moving fast to a preemptive deal, the Sony label has landed the package, ...

With the sequel — finally — upon us, the director and star plus author Irvine Welsh, producer Andrew Macdonald and more look back on the 1996 Cool Britannia flagbearer and how it all happened. By Alex ...

“Trainspotting” doesn’t need a sequel. The 1996 classic about a group of lowlife junkies mainlining heroin and pop culture was pretty much perfect, a jolt of pure cinematic adrenaline as ...

The new film "T2: Trainspotting" is about a group of best friends from the projects of Edinburgh, who come together after 20 years with a wee bit of baggage. Oscar-winner Danny Boyle returns to direct ...

Twenty years ago, Danny Boyle’s adaption of Irving Welsh’s heroin chic novel “Trainspotting” opened with a young Ewan McGregor running manically through the streets of Edinburgh while Iggy Pop’s “Lust ...

Sequels as well made and as well thought out as “T2 Trainspotting” are rare in this age of franchise productions that are more like episodes of a TV show than theatrical features. Oscar-winning ...

The young men who raced around Edinburgh in director Danny Boyle’s “Trainspotting” have hit middle age. “T2 Trainspotting,” which opens March 17, is a sequel, set in the present, to the indie film ...

Getting your Trinity Audio player ready... One of the most appealing things about 1996’s “Trainspotting” was its smack-you-in-the-face vigor. In nearly every scene, and certainly in the film’s ...

WASHINGTON — There’s no denying that Darren Aronofsky’s “Requiem for a Dream” (2000) and Vince Gilligan’s “Breaking Bad” (2008) are masterworks, functioning as better anti-drug campaigns than any ...