After the interval we had the rare experience of hearing the Requiem by Michael Haydn, Joseph Haydn’s younger brother. It was ...

With Emerald City, Williamson, the wizard of Oz play writing, observes the tectonic shifts between the substance of self ...

T hat peon to Ted Hughes’ CROW, Max Porter’s compact tone poem, Grief is the Thing With Feathers, has been adapted and thrillingly brought to theatrical life by the talented trio of actor Toby Schmitz ...

Emma conducts their affair in a polygamous manner, making a home of the flat they have rented for their assignations. Jerry ...

J onathan Biggins has been delivering a version of Paul Keating for over twenty years, harking back to his days with the long running success of the Wharf Revue under the auspices of Sydney Theatre ...

At the forty minute mark, Lauren, the youngest character in Circle Mirror Transformation says something akin to “when are we going to start acting?” At the sixty minute mark, the same character asks ...

Typical of many regional orchestras, it is entirely amateur, run by a volunteer committee. But for much of the time during their concert, Winter Delights, you could be forgiven for thinking you were ...

Heather Bloom 21 July 2025 Seeing a script performed for the first time is one thing, but seeing an actor react to that script in real time for the first time is an entirely different experience all ...

Above – cast of Hadestown. Cover – Abigail Adriano and Noah Mullins. Photos – Lisa Tomasetti Orpheus and Eurydice’s story is the kind of tragic romance that keeps people returning, hoping that this ...

Our Monster’s Name is Jerry by Amy May Nunn aims to tell a “queer gothic horror” tale, set in a well-heeled part of Australian outer suburbia. Unfortunately, its storytelling was often compromised by ...

First performed at Melbourne’s La Mama in 1971, David Williamson’s The Removalists holds a place of particular esteem in Australian theatre history. The webpage for the Melbourne Theatre Company ...