Our 2025 Microgrants ($500-$1500) support creators experimenting with alternatives for digital culture, from community-owned ...

Maja Cule, Hanging from the 8th floor of the South side of The Trump Building at 40 Wall Street, (2013) (featuring: Marlous Borm). From “Performance GIFs,” 2013, curated by Jesse Darling. Screenshot, ...

In early 2015, near the end of my MFA in Fine Arts at Parsons, I set out on a project to create a celebrity by 2020—entirely via the internet—as an art practice. The celebrity I began to create was a ...

“Imagine if we could begin our little life all over again. Imagine if it was all nothing more than some electronic game. Imagine if I knew then what I know now.” —Deus Ex Machina, Automata, 1984 If ...

These artists (...) counter the database, understood as a structure of dehumanized power, with the collection, as a form of idiosyncratic, unsystematic, and human memory. They collect what interests ...

This is the second in a three-part series to be published on Rhizome. The first part, exploring the history of the emoticon, can be found here. The final installment (forthcoming) will explore the ...

Courtesy grouphab.it and Harm van den Dorpel. An extended and altered version of this text will be published in... You Are Here: Looking at After the Internet (Cornerhouse Books 2014), edited by Omar ...

This is the first post in a series on the queer history of computing, as traced through the lives of five foundational figures. It is both an attempt to make visible those parts of a history that are ...

GIF extract form Hito Steyerl, How Not To Be Seen. A Fucking Didactic Educational .MOV File, 2013. HD video file, single screen, 14min. How Not to be Seen: A Fucking Didactic Educational .MOV File is ...

Screenshot of VVORK post from April 2006, as archived by Rhizome. Today, Rhizome unveils a new archive of the contemporary art blog VVORK (2006-2012), in which we demonstrate a novel solution to the ...

In this third segment of our genealogy we begin to form a connection, and to examine those lesser-known but foundational figures that radiate out from Turing's early work. Perhaps appropriately, given ...

This essay was originally published November 2022 as a chapter in the book Documentation as Art, edited by Annet Dekker and Gabriella Giannachi. In the preservation of digital art, documentation is ...