Bi Gan talks his Cannes winner 'Resurrection' and building the film's extraordinary one-take sequence involving a raincoat ...

With “Resurrection,” the director has made a surrealist epic not just about Chinese history but about the cinema itself.

The Chinese director Bi Gan, who has become a lauded fixture on the festival circuit, conjures a boundary-pushing tale that ...

The logic of dreams Bi Gan’s “Resurrection” (film review) by Bondo Wyszpolski There are movies, which entertain, and then ...

Resurrection' contains one of director Bi Gan's signature long takes — lasting 30 minutes — but the movie is also a euphoric, ...

Having trouble sleeping? Try Bi Gan’s slow cinema experiment, Resurrection. Side effects may include drowsiness, boredom and increased sense of confusion. Ask ...

Few figures of contemporary cinema are more shrouded in mystery than Bi Gan, and no film this year posed a bigger question ...

Thus, Resurrection commences in a silent movie (in a 4:3 aspect ratio) that resembles a macabre German expressionistic ...

Told in six, interconnected yet standalone parts, Resurrection acts in conversation with several points of the development of the cinematic language. Its first, and, arguably, most successful part is ...

In young Chinese director Bi Gan's new movie, there are a couple of moments that genuinely stun.

Bi Gan stuns with another jaw-dropping oner in Resurrection, a dreamy anthology designed to make you appreciate cinema.

The former can feel interminable and endless, the sensation of enduring a cinematic kind of solitary confinement, the filmgoer trapped in the laziest and most selfish recesses of a director’s mind.