Paul Taylor Dance Company's second programme at the Linbury is an invigorating, uplifting, refreshing mix of easily ...
The Norwegian pianist assembles an intricate selection of fragments, aphorisms and character pieces for an intriguing New ...
A particularly evocative Largo in Vivaldi ’s Concerto in G ‘La notte’ set the tone. Calm sustained chords cushioned Horsch’s ...
How is the classical music world changing? Looking back on a dizzying year, we pay particular attention to performers’ ...
Daniele Rustioni pairs orchestral music of Verdi and Wagner in his concert with the Tokyo Metropolitan Symphony Orchestra, ...
Did Humperdinck have any of this in mind, I wonder? And did an Opera Australia still lacking an Artistic Director need to ...
Yuja Wang returns to the New York Philharmonic with Rautavaara’s dazzling First Piano Concerto in a probing program curated ...
Soprano Cornelia Beskow and accordionist Leo Florin join O/Modernt for a night of gypsy vim and Viennese swing at Wigmore ...
A welcome return to London by Paul Taylor Dance Company after more than two decades, this triple bill was worth the wait.
Retrospection held at bay by the conductor's unusual choice of Rudolf Barshai's completion to Mahler's last symphony.
Compelling as a composer and conductor, Adams restored Roy Harris' Third Symphony to the Los Angeles repertoire, alongside ...
The Dutch National's Junior company dazzled in three new works and a Balanchine classic, showcasing the stars of tomorrow.
Some results have been hidden because they may be inaccessible to you
Show inaccessible results