Ari Aster's “Eddington,” appropriately enough, has been divisive. Since its premiere at the Cannes Film Festival in May, Aster’s film has one of the most polarizing releases of the year.

O ne of the best things that can be said about Ari Aster is that he is a filmmaker whose work is impossible to forget. Even during a renaissance period for the horror genre, Aster’s work on Hereditary and Midsommar stood out for their visceral,