The work in question was the composer’s Opus 95, twenty minutes of seething turbulence in (mostly) F minor that ends with a ...

Symphony Hall, which celebrates its quasquicentennial on October 15, received the former over the summer. The walls have been ...

Clad in a poncho, baritone Marcelo Guzzo, brought commanding presence and a resonant timbre to his role as vocalist and guide ...

Music by Mahler, Loeffler, Koechlin, Saint-Saëns and Beach. Boston Symphony Chamber Players/Earl Lee. October 5. The upcoming 250 th anniversary of the Declaration of Independence promises plenty of ...

Composers can’t always be trusted to objectively assess their own works. However, William Walton’s appraisal of his Cello Concerto holds up: “It is to my mind the best of my three concertos,” he wrote ...

Beware of ideas, Joseph Stalin once warned: they are more powerful than guns. “We would not let our enemies have guns,” he went on. “Why should we let them have ideas?” That statement might make a ...

There are few great works upon which fame has shone more unwillingly than Edward Elgar’s Violin Concerto in B minor—at least so far as the Boston Symphony Orchestra is concerned. True, this ...

Who says old dogs can’t learn new tricks? The Boston Symphony Orchestra—now in its 144 th season—trotted out a fresh one with conductor Dima Slobodeniouk on Thursday night: eschewing the usual ...

The Boston Symphony Orchestra presented a program of Liadov, Bartók, and Rachmaninoff Thursday evening at Symphony Hall. Led by conductor Eun Sun Kim in her BSO debut and featuring pianist Inon ...

Some ballets, like The Rite of Spring, turn up on concert programs so frequently that it can be hard to imagine experiencing them in a theater. Gabriela Ortiz seems to have taken that reality to heart ...

On paper, the lineup for pianists Víkingur Ólafsson and Yuja Wang’s duo recital on Friday at Symphony Hall didn’t make much sense. John Cage and Conlon Nancarrow, for instance, don’t normally share ...

There’s madness in love and, as Erich Wolfgang Korngold’s Die tote Stadt reminds, there’s madness in death, too. On Thursday night, the Boston Symphony Orchestra brought the composer’s operatic study ...