Roger Ebert on ‘The Descent’ (2005): "Neil Marshall’s ‘The Descent’ (2005) works (and plays) not only with movie imagery, but with the stuff of myth and dreams as well. It evokes hellish visions, from famous paintings (Goya’s Black Paintings, Fuseli’s “The Nightmare”) to gothic gargoyles and Dore’s engravings for Dante’s “Inferno.” These almost subliminal references help drive “The Descent,” and give it a powerful mythic energy. It grasps when and how to draw upon these images to create just the